Simulating Limbs

This is pretty much my wet dream.

Funded by a Department of Defense initiative dedicated to audacious challenges and intense time schedules, the Neurophotonics Research Center will develop two-way fiber optic communication between prosthetic limbs and peripheral nerves.

This connection will be key to operating realistic robotic arms, legs and hands that not only move like the real thing, but also “feel” sensations like pressure and heat.

Successful completion of the fiber optic link will allow for sending signals seamlessly back and forth between the brain and artificial limbs, allowing amputees revolutionary freedom of movement and agility.

Potential to patch injured spinal cord

Partners in the Neurophotonics Research Center also envision man-to-machine applications that extend far beyond prosthetics, leading to medical breakthroughs like brain implants for the control of tremors, neuro-modulators for chronic pain management and implants for patients with spinal cord injuries.

The researchers believe their new technologies can ultimately provide the solution to the kind of injury that left actor Christopher Reeve paralyzed after a horse riding accident. “This technology has the potential to patch the spinal cord above and below a spinal injury,” said Marc Christensen, center director and electrical engineering chair in SMU’s Lyle School of Engineering. “Someday, we will get there.”

Human limb simulacra as a a form of body enhancement.

Only DARPA would have the money to fund something as crazily awesome as this.

Via Physorg.

How Adequately Would we Understand the World if we Saw it Only Through Cinema?

The short of it is, not adequately at all.

Cinema, if we’re talking about Hollywood which I’m going to assume we are, is very good at one thing, and one thing only. That is, it’s good at fuck off big explosions, mostly uninteresting characters and not one moment of banality.

To expand on these things, the problem with modern cinema is that there’s too much going on. Life is mundane. You get up, have a shower, have a shit, etc. Then you take an hour to get to work, sitting about on public transport, in traffic jams. Stare at a screen for eight hours, sit in traffic for another hour. Go home, eat, watch tv, masturbate, go to sleep. Repeat ad infinitum. Except for a few exceptions, cinema just doesn’t show these things, and for good reason, banality isn’t entertaining. The problem then, is that someone who’s take on the world came from cinema is that they’d expect something to always be happening. They’d expect constant drama, they’d expect crazy things to happen all the damned time, but the world doesn’t work like that.

Another problem would be that people would just simply be ill equipped to understand each other. Characters in cinema tend towards the two dimensional, often being flat and uninteresting, with miraculous mind reading abilities that let them understand each other perfectly. This is in quite an extreme contrast to the reality of the world, where people tend towards the complicated, and people don’t have the cognitive genius to read the minds and interpret exactly what others mean.

There are other issues, namely characterisation that stems from geography. Americans would, of course, be the heroic geniuses, Europeans their bitches (essentially), Muslims and Arabs terrorists, Russians commies, etc.

It’s not a world I’d like to live in.

The Neuroscience of Free Will

A brief look at what I mentioned in class earlier about free will possibly being an illusion. Touching upon Plato’s idea of the cave.

Experiments, pioneered by Benjamin Libet into human consciousness raise some interesting, and frankly terrifying insights into our nature.

Free will illusion

The free will illusion.

In the 1970s, Libet was involved in research into neural activity and sensation thresholds. His initial investigations involved determining how much activation at specific sites in the brain was required to trigger artificial somatic sensations, relying on routine psychophysical procedures. This work soon crossed into an investigation into human consciousness; his most famous experiment demonstrates that the unconscious electrical processes in the brain called Bereitschaftspotential (or readiness potential) discovered by Lüder Deecke and Hans Helmut Kornhuber in 1964 precede conscious decisions to perform volitional, spontaneous acts, implying that unconscious neuronal processes precede and potentially cause volitional acts which are retrospectively felt to be consciously motivated by the subject. The experiment has caused controversy as it challenges the pre-scientific philosophical and religious views of “free will”. It has also inspired further study.

In layman’s terms, what these experiments found were that the brain made a decision before you consciously thought of it. This raises very interesting questions about what one can think of as the self, and renders things like morality far more complex than they already are.

More about this another day.

Thanks Will

Cheers buddy, got me some fat choons, including this gem.

I love my mum, my dad and my dildo.

Dirty.

J.G. Thirlwell

AKA Foetus, Wiseblood, Manorexia, DJ Otefsu, Foetus Under Glass, You’ve Got Foetus on Your Breath, Scraping Foetus Off The Wheel, Steroid Maximus et al.

Inspirational artwork, inspirational music. Album covers in order of release date, so you can see the progression of the art style.

J Phillip White

I really like J Phillip White’s surrealistic photo manipulations. I first came across his stuff when I was doing

Returning to the Sea

Returning to the Sea by J Phillip White

my Photography A-Level a few years ago in Norwich, it always stuck, because he made them in the traditional manner, with a razor blade, rather than with Photoshop. Something I admire in this day of digital.

An odd thing for a Digital Art student to be saying I’m sure, but I grew up around analogue photography, own quite a few analogue cameras (Hasselblad 500c/m, Nikon F100, Nikon Nikkormat, Nikon F1, Nikon FM1, Leica M4-2, etc) and still enjoy taking photos on these cameras.

There’s something quite mystical about it all, which is why I like his work, some of the pieces are really quite spectacular, and well worth checking out if you’re into surrealist art, I’ve posted a few below in a gallery, but it’s well worth checking out his Facebook page if you want to see more like it (and some really crazy stuff to boot).

If Mark was Hitler

Need to Photoshop this one.

Hipster Hitler

Awesome

That is all.

Money Money Money — “Gettin’ Money With a Mouse and a Wacom Pen (Fuck Comic Sans Fuck Papyrus, Too)” from Brad Chmielewski on Vimeo.

Money Money Money — “Gettin Money With a Mouse and a Wacom Pen (Fuck Comic Sans Fuck Papyrus, Too)”

Production Company: Daily Planet Productions ltd.
Music: Money Money Money (http://www.myspace.com/karatekickthegame)
Lyrics: Money Money Money & Jon Adler
Producers: Jon Adler, Brad Chmielewski & Vanida Vae
Director: Jon Adler
Director of Photography: Aaron Hui
Camera: Aaron Hui
Animators: Brad Chmielewski, Vanida Vae, Jon Adler, Jess Donofrio, Scott Pellman
Rotoscopers: Maeve Price, Anne Rooney, Drew Kordik, Shawn Sahara
Editor: Maeve Price